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Scroll down to watch two videos of Sam on the TWP YouTube channel.

In 2010 Sam Leach won the Archibald and Wynne Prizes, two of Australia’s most famous awards for portraiture and landscape painting, becoming only the third person in the prizes’ history to win both in the same year.

The two artists to achieve this rare distinction before him were 20th century greats Sir William Dobell and Brett Whiteley.

I remember seeing those two small paintings hanging in the Art Gallery of NSW and being struck by their beauty and exquisite detail. The debate surrounding his Wynne Prize painting that year, which caused a small media storm, is something we dive into in this episode.

I’ve been intrigued by Sam’s work ever since then. His art delves into the areas of science and nature, and in more recent years, he’s used Artificial Intelligence and machine learning to initiate his paintings. It was fascinating to hear him talk about this approach.

With a distinctly surrealist feel, Sam’s work also reveals his continued interest in the Dutch masters of the 17th century which began in his early career. In his current show at Sullivan+Strumpf in Sydney, moody utopian landscapes team up with incongruous elements such as huge ‘bubbles’ and globular and tubular forms often hinting at or including a human presence.

Other works depict animals, particularly polar bears, created from machine learning. These paintings, and the rather comical-looking Polar Bear Detector devised by Sam (where you can test how closely you resemble a polar bear) encourage us to see ourselves and the creatures with which we share the planet from a new perspective.

The exhibition, with the unsettling title  ‘Everything Will Probably Be Fine’, continues until 16 July 2022.

Sam has exhibited in 30 solo shows nationally and across the globe, has won several other awards apart from the Archibald and Wynne, and his work is held by many private and public collections including Australia’s National Portrait Gallery.

Scroll down for two YouTube videos of Sam talking about his work.

Scroll down for images of the works we discuss in this episode.

Press play to hear our conversation and scroll down for images of the works we talk about in this episode.

Above feature photo supplied by the artist

Current shows

Links

 

‘Machine-assisted memory of Harewood Farm, Meadows’, 2022
oil on linen, 51 x 51 cm
Finalist Wynne Prize 2022, Art Gallery of NSW
Image: AGNSW website

‘Tim Minchin’, 2010
oil and resin on wood, 60 x 38 cm
Winner of the Archibald Prize 2010
Images: AGNSW website
‘Proposal for landscaped cosmos’, 2010
oil and resin on wood, 32.2 x 29.9 cm
Winner of the Wynne Prize 2010, Art Gallery of NSW
Images: AGNSW website
‘Large Bubble’, 2022
oi on linen, 240 x 175cm
Image courtesy the artist and Sullivan+Strumpf
‘Polar Bear With Optimised Bananas’, 2022
oil on linen, 51 x 51cm
Image courtesy the artist and Sullivan+Strumpf
‘Polar Bear Detection I’, 2022
oil on linen, 51 x 51 cm
Image courtesy the artist and Sullivan+Strumpf
‘Professor Mandyam Srinivasan’, 2014
oil and resin on plywood (frame: 65.5 cm x 50.5 cm, support: 61.0 cm x 46.0 cm)
Collection: National Portrait Gallery
‘Two Bubbles’, 2022, oil on linen, 51 x 51cm.
Image courtesy the artist and Sullivan+Strumpf
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