For those of you interested in portraiture in Australia, Yvette Coppersmith needs no introduction.
She has painted dozens of portraits, including a collection of fascinating self-portraits, and is regularly shortlisted in the country’s most competitive portrait awards. In 2018 she was awarded the one that would place her in Australian art history – the Archibald Prize.
What has captured my attention more recently, though, are Yvette’s abstract works, particularly a body of work I saw in her exhibition ‘Presage’ at Sullivan + Strumpf in Sydney last year. They were thickly textured, swirling abstractions and how she came to create that show is as interesting as the paintings themselves.
Yvette has been painting for over 20 years and her work is held in many public and private collections. In addition to winning the Archibald Prize, she has won the Metro 5 Art Award and has been a finalist multiple times in nearly every prestigious portrait prize in Australia, including the Doug Moran, Portia Geach, and Darling Portrait prizes.
In this episode we follow her career from her early photorealistic works to her present-day experimentation with paint and genre, encompassing still lifes and interiors along the way.
To hear the conversation click ‘play’ below the above photo. See below for images of the works we talk about in the show.
Photograph of Yvette Coppersmith by Mel Savage
Links
- Yvette Coppersmith’s website
- Yvette Coppersmith on Instagram
- Yvette Coppersmith at Sullivan + Strumpf
- ‘Presage’ exhibition at Sullivan + Strumpf
- Roger Kemp 2019/20 retrospective at the National Gallery of Victoria
- Talking with Painters YouTube channel
- Sign up to the Talking with Painters newsletter
‘Self-portrait after George Lambert’, oil and acrylic on linen, 122 x 101.5cm, 2018
Winner Archibald Prize 2018
‘Nude Self-portrait after Rah Fizelle’, oil on linen, 91.5 x 66cm, 2016
Finalist, Portia Geach Memorial Award, 2016
‘John Safran’, oil on plywood, 120cm x 90cm, 2009
Archibald Prize finalist 2009
‘John Safran’, oil on plywood, 120cm x 90cm, 2009
Archibald Prize finalist 2009
‘In the Garland, portrait of Paul Capsis’, oil on linen, 22.5 x 111.5cm, 2007
Finalist, Archibald Prize, 2008
‘Untitled Movement (Scarlet Lake)’, oil on jute, 76.5 x 61cm, 2022
Photo: Matthew Stanton
‘Untitled Movement (Triptych)’, oil on jute, 3 x 122.5cm x 91.5cm
Photo: Simon Hewson
‘Arrangement with Grey and Yellow’, oil on linen 61cm x 46cm , 2014
‘Geranium and Succulents’, oil on linen, 80cm x 59.5cm, 2015
Posthumous Portrait of Edith Morris, oil on linen, 86.5cm x 63.5cm, 2020
Photo: Matthew Stanton
Collection of Melbourne Girls Grammar School