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Belinda Fox’s work is extraordinary. Whether it’s an intricate bird in mid-flight or abstract geometric forms, she combines paint, printmaking, drawing, wax and collage to produce works of great detail and beauty.

When she was only in her twenties Belinda became a master printer at Port Jackson Press, collaborating with leading Australian artists. It wasn’t long before she decided to become a full time artist and since that time she’s won multiple art prizes, been awarded many grants and residencies and has exhibited in over 25 solo shows across the world.

Primarily working in watercolour, her experience in printmaking has led her to experiment beyond traditional works on paper to produce unique works with an ethereal quality.

Her upcoming show ‘Fragment(ed)’ with Gallery Smith in Melbourne opens in July 2020 and her next show will take place in Berlin with Michael Reid in October. Earlier this year she exhibited with Maybaum gallery in San Francisco and she has been with Sydney’s Arthouse Gallery since 2003.

Belinda grew up in the country town of Mildura in Victoria and now lives in the Hague in the Netherlands. We recorded this episode by Zoom during the 2020 coronavirus lockdown.

We talk about her time as a master printer, why she turned to painting, the grounds of her paintings, her interest in humanitarian issues and when she reflects that in her work, studio life, homeschooling in lockdown and a lot more.

Click ‘play’ below the above feature photo to hear the podcast interview.

Scroll down for a short video with highlights of the podcast interview.

Upcoming shows

Show Notes

Artist Belinda Fox talks with Maria Stoljar
‘Tapestry VI’, 2017, watercolour, drawing, ink on board, 110 x 100cm
Photo: Hein van Liempd
‘The News Pounded I (hard and soft), c2020, watercolour, ink, encaustic wax,
drawing on board, 110 x 100cm
Photo: Hein van Liempd
‘Fragment 14’, 2020, watercolour, ink, drawing on board, 30 x 29.5cm (with shelf)
Photo: Hein van Liempd
‘Tilt II’ 2017, archival pigment print on paper mounted to dibond aluminium, 240 x 194cm
Photo: Hein van Liempd
‘The News Pounded II’ (up and down)’ watercolour, ink, drawing collage, woodcut on board, 110 x 360cm
Photo: Hein van Liempd

‘Waiver’, 2019, watercolour, ink, encaustic wax, drawing on board, 130 x 120cm
Photo: Hein van Liempd
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